Hands Like Houses with Slow Dial & Agnes Manners - The Factory Theatre - 9th April 2021
REVIEW AND PHOTOS BY: EMERALD VIOLET
After being rescheduled a few times, Canberra pop punkers Hands Like Houses finally got to play to their sold out Sydney crowd at The Factory Theatre on the 9th of April. They brought fellow Canberra band Slow Dial and Melbourne band Agnes Manners to open up the night for them. Just getting to the show, the atmosphere was already great and you could see how many excited fans were waiting for the night to start.
Slow Dial
Slow Dial kicked everything off with a half an hour set of indie tunes that I instantly fell in love with. Every song that they played was well-written and just so god damn catchy. As more and more people came into the venue, the band helped create a great atmosphere for the audience to enjoy while they sat in their seats. It was very clear that these guys have a lot of talent which they showcased during the night. The instruments all came together to create this infectious sound that I really enjoyed. Definitely a really fun set.
Agnes Manners
Next up, Agnes Manners took to the stage and from start to finish blew my mind. They brought indie rock sounds to the night with their loud and melodic songs that became stuck in my head all night. Some of their songs had this somewhat dreamy effect that threw out some great vibes in the venue. Even though not all of the band members were present, they still played a kick ass show and had a lot to offer with their catchy songs.
Hands Like Houses
The crowd screamed out as Hands Like Houses walked onto the stage. You could hear the excitement from them as the band picked up their instruments and got ready to play that first song. These guys absolutely smashed their entire set - it was incredible. The first half of the set, they played acoustically with stripped back versions of their songs followed by the second half of the set where it went a lot harder. The crowd spent the whole time singing along to all of the songs and everyone was just having a really great time. Hands Like Houses have some great tracks and also bring huge stage presence in their performance which is what I love to see. The songs echoed through the room while the audience had their arms up in the air, screaming the lyrics back to the band. They absolutely gave it their all the whole time they played and had some fantastic energy which provided an amazing time for everyone.
Hands Like Houses
Slow Dial and Agnes Manners did an absolutely incredible job at supporting Hands Like Houses. Their songs and energy helped keep the atmosphere alive and had the audience really engaged and enjoying themselves. The whole night had great energy and every band played to the best of their ability. Hands Like Houses played a great show and overall it was a fun night.
SLOW DIAL
AGNES MANNERS
HANDS LIKE HOUSES
HOLY HOLY with Queen P - Port Rd Tour - The Factory Theatre 19th March
REVIEW AND PHOTOS BY: EMERALD VIOLET
It was a somewhat cold and rainy night on Friday the 19th of March, but that certainly didn’t stop anyone from heading on down to The Factory Theatre to see Holy Holy take to the stage and immerse them in over an hour of a incredible performance that featured a lot of movement on stage, really low light and some special guests.
Queen P
Supporting Holy Holy was none other than Melbourne R&B artist Queen P, who owned the stage from the moment she walked onto it. Her thirty minute set was strong - she had amazing stage presence and everyone was dancing along to her groovy tracks. The artist showcased so much talent with some powerful tracks and strong messages as she moved around the stage captivating the audience. Through the set she had two amazing dancers that came onto the stage and just built up an even better performance that really kicked off the night.
Holy Holy
Holy Holy are a great band, their songs are just SO GOOD and the way that they engage with their audience and pour so much passion into their performances - It’s safe to say that I was blown away. For a full hour, they played through a fantastic set list and the audience were dancing in their seats and screaming out in excitement. During the set, the band brought out duo Clews to sing backup on some songs and they killed it. When Holy Holy played Lorde’s “Green Light”, the audience went nuts - screaming along the lyrics and just having an all out good time. Towards the end, Queen P came on stage and performed “Port Rd” which is the track she actually feautues on. After the band left the stage the crowd started to chant out that they wanted one more song and sure enough, the band came back out and gave it their all for the next fifteen minutes.
Holy Holy
The performance overall was just amazing, these guys know how to put on a good show and they did just that.
From the look on the faces of the crowd, I can tell that everyone had the most amazing night and enjoyed every single minute of it. Queen P and Holy Holy went out on stage and poured their heart and soul into their sets and made it a fantastic night for everyone.
Queen P
Holy Holy
The Delta Riggs with Salarymen at The Lansdowne 17 MARCH 2021
REVIEW AND PHOTOS BY: GEORGIA GRIFFITHS
The Delta Riggs know how to put on a rock show. Even in a time where punters are unsure whether they’re allowed to sit or stand, dance or drink, the self-proclaimed “nice guys of rock and roll” are sure to have everyone enjoying themselves. Wednesday’s show at The Lansdowne was no exception, with Sydney devotees treated to a set that was full of twists and turns.
Salarymen
Salarymen were on support duty for the night, warming the crowd up with their brand of sunny, nostalgic indie pop. The duo, made up of Renee de la Motte and Thomas Eagleton, expanded to a full band for their live set, which allowed the chemistry between de la Motte and Eagleton to blossom. There were lots of smiles shared on stage as they made their way through a range of guitar driven tracks. They gave the growing crowd something to bop up and down to, with both the crowd and the band loosening up as the set went on. While they didn’t quite match the high energy that was to come from The Delta Riggs, it was still a whole heap of fun.
The Delta Riggs
The Delta Riggs took to the stage after a short intermission, and at first the crowd didn’t know what to do with themselves. It was the first night of the newly eased restrictions in NSW, and we were told that while we could stand and drink we could only dance in place, but couldn’t walk around with a drink in our hands. As the changes had only been announced earlier that day, the table setting that had become the norm at The Lansdowne was also still in place. This led to a lot of people initially still choosing to sit for the first part of the set, while a select few danced (on the spot of course) up the back. The energy of the band was also hard to read in the earlier songs, as frontman and vocalist Elliott Hammond began the set playing the drums from the back of the stage. While The Lansdowne is an intimate space with a relatively small stage, from certain points in the room it was hard to see him, which certainly didn’t help the vibe. The music, however, was loud and upbeat. There were a few long-time fans towards the front who sang along to every word, with some quickly jumping up to have a dance.
The Delta Riggs
The real show started once Hammond came out from behind the drums. His energy was infectious, with most of the crowd quickly jumping to their feet. The band ripped through a number of their classic songs along with some newer material. A highlight was the roaring track ‘Baddest Motherfucker In The Beehive’, with its catchy chorus and driving guitars getting most of the room moving. Hammond jumped around the stage, trailing the microphone stand with him, while the other members created the soundscape around him. While Hammond was generally the centre of attention, it was clear that the band worked as a unit. A guest appearance from rapper Gold Fang for ‘Get Right’ brought another twist to the show. He fit in quite naturally with the band on stage, and garnered a big response from the crowd as he left the stage.
The Delta Riggs
Being the early show for the night, things started out a little weird, but by the end both the band and the crowd seemed to be truly enjoying themselves. I can only speculate how rowdy the late show may have been now that the band had warmed up. One thing was clear throughout though: The Delta Riggs are naturals on the stage, and they’re great at making everyone else feel at home too.
Salarymen
The Delta Riggs
The Smith Street Band - Unplugged in Sydney at Enmore Theatre 12th March 2021
PHOTOS BY: SHIRAZ CENTER
REVIEW BY: AUSTIN WAGNER
The Smith Street Band from regional Victoria played out an outstanding concert the other night at the Enmore Theatre. Completely unplugged, the band, led by front man Wil Wagner, enthralled the audience with an awesome live performance of unparalleled energy and enthusiasm.
Supporting the band were Pinch Hitter, a well moulded and harmonious group that enticed the souls of the audience with their powerful folk-orchestral projection of sound. Similar to groups such as Mumford and Sons, Of Monsters and Men, as well as the John Butler Trio, they linked together gracious storytelling with strong melodies from the banjo and lower strings to inch on the growing momentum throughout their performance. Overall, a colourful combination of complementing sounds from cellos and flutes alike, that presented a unique atmosphere and gave insight into themes of home and the passage of life.
Later on, the Smith Street Band came on in full force with hard strumming rhythms and banging vocal verses, along with the unrelenting shatter dome of drumming to keep the audience engaged. On the night, Wil Wagner dominated the stage, never standing still for too long as he put everything into his lyrics, belting them out to the audience and often receiving a collective reply as everyone yelled back. He broke the distance between a performer and their audience, exploring the deep inner psyche of the average person through his words and the common problems and issues faced by many on the day-to-day basis. It is hard to compare such a band when there are truly very few others like them. Performing some of their absolute best, Smith Street played Self-control, an intense song with powerful primal vocals of pure emotion that echoed just how broken we are as human beings, or God is dead, a story of tragedy that is soul wrenching as a ballad but that is full of synchronous heavy hitting rhythms that constantly build to a climax that never descends. It takes a special artist and band to give their raw selves on stage and leave nothing left in the tank, a truly remarkable performance, that deserved its standing ovation with its finale of Death To The Lads, and a concert to remember for years to come.
Pinch Hitter
THE SMITH STREET BAND
Julia Stone w/ Jack Gray - The Factory Theatre 26th February
PHOTOS BY: GRANT WOODS
REVIEW BY: GEORGIA GRIFFITHS
Julia Stone is no stranger to the stage. Initially known for being one half of the sibling duo with her younger brother Angus, it’s now been ten years since her first solo album, The Memory Machine, was released. Like most musicians, the last year has been one of the longest periods Stone has gone without playing a live show. Having played a few shows in Victoria earlier in the month, her Sydney drought was broken on Thursday and Friday night. Stone and her band played a series of intimate seated shows at Marrickville’s Factory Theatre in anticipation of the April release of her third album Sixty Summers.
Singer-songwriter Jack Gray was on support for the four shows, entrancing the crowd with his blend of acoustic and electronic pop. One of the small pleasures of seated shows has been that more people are arriving in time to see the support acts, and for those of us who made it in time to see Gray it was clear that we were witnessing something special. His use of loop pedals and his ability to play guitar and keyboard at the same time indicated a talent well beyond his years. It also doesn’t hurt that Gray gave off a genuinely nice vibe in his crowd banter. ‘I’ve Got 3’, ‘Winter City’ and his latest release ‘Selfish’ were highlights of the set.
After a brief intermission Julia Stone took the stage, accompanied by her five-piece band. They launched straight into her cover of The National’s ‘Bloodbuzz Ohio’, which featured on her second album. It was a bit of a full circle moment, as Stone’s latest single features The National’s frontman Matt Berninger. It also set the tone for the night - this is a much darker Julia Stone than we’ve seen in years past. Throughout the evening we heard a number of tracks from Sixty Summers, and the thread that ran through them all was their much grittier sound than songs on The Memory Machine. There was also a much greater use of electronic instruments, signifying a new era for Stone. While the piano lines and acoustic guitars are still present, her new material included vocoders, talkboxes and, at points, a heavy bassline.
That said, however, there was still a good measure of the things that made Stone so popular in her set. ‘Nothing Else’ saw her pick up a trumpet, while ‘And The Boys’ received a stripped back reinterpretation that kept the audience on their toes. The highlight of the set was ‘By The Horns’, as Stone told us about the unfaithful “boy” that inspired the track. Her introductory spiel received murmurs and then laughter, as she debated whether to call him a man or a boy, as he was in his twenties. She also disclosed that she played it once with the other woman, “but it wasn’t as awkward as you think!”. The track itself was Stone in full flight - it’s a damning revenge song, and she knows it.
Friday night was the fourth and final show of this run of intimate shows, and should be considered a triumph for Stone. While the new material feels a world away from what she started out with, it’s definitely a step in the right direction.
Jack Gray
Julia Stone
RedHook - Cure 4 Psycho Tour at The Cambridge Newcastle w/ Reliqa + Linear
REVIEW AND PHOTOS BY: EMERALD VIOLET
Another great night of live music was had down at the Cambridge Hotel in Newcastle on Friday night. RedHook brought their all to this show for their Cure 4 Psycho tour which was a sold out gig. Supporting them, we had two talented bands Reliqa and Linear who equally did an amazing job opening up for RedHook.
Linear
Linear was the first band to hit the stage and from the first note that they played, they really pumped the crowd up and got them ready for the rest of the night. Their performance was loud, heavy, and just overall amazing. When these guys play music together, they are unstoppable - with Cody Henderson’s raw and powerful vocals, Jalen’s loud and heavy riffs, Blake’s hard hitting drum beats and Lochlan’s strong bass lines. They played through their whole set strongly and really engaged the audience with their stage presence and great songs.It was a really powerful way to start off the night.
Reliqa
Next we were gifted with alt-prog band Reliqa and they didn’t disappoint. They owned that stage from the moment they stepped onto it. Their energy was incredible and the way they engaged with the crowd was amazing. This band caught the attention of everyone with their great, fast paced songs and the power they punched out. The vocals were so powerful that they vibrated the walls of the venue and filled the entire room up. Every member in the band was fun to watch as you could see they poured their heart and soul into the set. They have so much talent and they really showcased it and I cannot wait to see them perform again in future.
There is so much to say about RedHook. This band is just incredible and absolutely slay everything they do. As they took to the stage, the energy from the band and the crowd was incredible - it was that euphoric feeling you get when you’re at a gig and nothing else matters in that moment. Their performance was engaging, fun, and energetic. The energy that they radiated through their set was amazing and the crowd could definitely feel it as they headbanged in their seats. As the band played through their set, I didn't want it to end. I could watch and listen to them play all night and I’m sure everyone there would agree. RedHook are electrifying as vocalist Emmy Mack gave her all and provided some loud and strong vocals that echoed through and blended with the heavy instruments that filled the whole room up. You could tell by the faces of everyone in the crowd that they were having a really good night.
There is nothing better than three talented bands playing a small, intimate venue and filling up the room with their heavy instruments and strong vocals. The joy that was seen on the crowds' faces is just proof that this was an incredible night of live music and the bands really did put on one hell of a show.
Linear
Reliqa
RedHook
Final Gambit, Mordor, Harlequin Alley & The Bifters - Sunday Setlists - The Factory Theatre 31st January
PHOTOS BY: SHIRAZ CENTER
REVIEW BY: AUSTIN WAGNER
THE BIFTERS
On Sunday, The Bifters let loose at the Factory Theatre here in Sydney, a stunning and rigorous performance of slow and laid-back rock, echoing many classics such as Roadhouse Blues by the Doors whilst also maintaining their own new and upcoming rhythms of punchy bass and growling guitar solos, further resonating with bands such as the Kinks through catchy riffs and dynamic bouts of momentum to keep the audience enthralled in their live show. The ode to their influences and their unrelenting musical force made for an unforgettable concert. It appealed to the primal need for hard hitting rock and roll with loosely related stories about love and our strange progression through life.
FINAL GAMBIT
On the night, The Bifters were preceded by three other groups, performing and assisting in Final Gambit, performing synergistic rhythms of unrelenting grunge rock beats and epic electrifying riffs much like those of the Angels, and Beastie Boys.
MORDOR
Next in the line-up were Mordor. The heavy metal band really came into their own on stage with some of their own songs and some covers, echoing artists like Blue Oyster Cult, Metallica and Nirvana with destructive rhythms that lent themselves toward the metal of old with well attuned lyrical additions about the Aussie school system.
HARLEQUIN ALLEY
Finally, there was Harlequin Alley, a funky, mellow, but upbeat energised group with lots of musical variety. Resonating with groups such as Kings of Leon, Cat Empire and the Arctic Monkeys, the band went from smashing almost hip-hop guitar riffs to lounge music with skilful saxophone solos to create a truly unique atmosphere.
THE BIFTERS
During the evening, The Bifters also played their recently new single Sugar Mama which came out late last December, after their appearance on Triple J unearthed, a truly engaging piece of music that demonstrated the vocal talents of their lead singer Rory Wheatley, bringing to light sounds similar to that of Jim Morrison, as well as Rory Gallagher. Joining Rory on stage, were Jared Curry on bass and Gus Hart on drums, who both demonstrated intense enthusiasm and immense skill. The Bifters debut concept album is due out on Vinyl and digital platforms February 2021, a very exciting prospect. This epic congregation of talent will surely be a group to look out for on the horizon through 2021 and beyond as they demonstrate raw musical genius much like the Rolling Stones in their early years.
FINAL GAMBIT
MORDOR
HARLEQUIN ALLEY
THE BIFTERS
The Fossicks, Molly & The Krells, Starcrazy - Crowbar Sydney 30th January
PHOTOS BY: JADE GUIDA
REVIEW BY: EMERALD VIOLET
Crowbar was the place to be on Saturday the 30th of Jan as three equally talented bands took to the stage in light of the launch of Starcrazy’s brand new EP titled “Played For Suckers” which has six tracks of retro rock goodness that is memorable and captivating to say the least.
THE FOSSICKS
Starting off the night we had The Fossicks who are a band who can fill any room, no matter how big or small with their incredible energy. Each member contributed to that energy in their own way which was great. The vocalist had a thrilling stage presence and knew how to captivate the crowd, the guitarist played some amazing solos throughout the set, the drummer played solidly and brought the sound together, and the bassist slapped a mean bass. Overall their songs were hella groovy and it was just some good old rock n roll, and definitely a good way to start out the night.
MOLLY & THE KRELLS
Molly & The Krells are an amazing band that really give their all with every performance and you can just tell that they are so passionate about music every time they get up on a stage. They throw out so much energy into the audience and really engage them, again, filling up the room with their catchy tracks that had everyone dancing in their seats. Every song was more powerful than the last as they carried out their 30 minute set, a favourite track being “What Went Wrong” as the audience sang the lyrics back which was great to see.
STARCRAZY
Headlining band, Starcrazy, knows how to put on a great show. The crowd were enthused when these guys hit the stage with their amazing stage aura and solid rock tunes. With the launch of their EP, they really gave it their all - headbanging around on stage while they all around just looked like they were having a great time. Their tracks had catchy hooks that got stuck in your head - the bass was loud and powerful, vibrating the whole venue with one strum of a note, the guitar solos were out of this world and really made the songs stand out a whole lot more. Their performance radiated a great atmosphere and you could tell the crowd loved every second of it from their engrossed expressions.
This show was all in all a great time. The crowd fed off the bands energy and vice versa creating a fun and great time for everyone. It’s nights like these that people are grateful that we get to experience live music again. All the bands gave a great performance and if you haven't seen any of them live, you need to as soon as possible.
Also check out Starcrazy’s brand new EP “Played For Suckers”, you won’t regret it!
THE FOSSICKS
MOLLY & THE KRELLS
STARCRAZY
Daylight Savings - Wing Defence, SODA and The Vains - 21ST JANUARY 2021 - The Gov
Review and Photos By: Skye Sampson
Wing Defence
The Gov hosted 3 of Adelaide's top bands Thursday night for Daylight Savings.
THE VAINS
First up was The Vains a 4-piece band that is female driven, they are a garage grunge rock band who had a huge set. With sitting being the new normal at gigs it was hard to not mosh especially to their finishing song Pussy Power, Shit and low expectations. With this band being super cheerful, super stylish and giving us all a friendly reminder to be safe keep hydrated and to appreciate others
SODA
Second was the very loved Soda. One of Adelaide's favorite bands. This band has no one particular genre they freely express themselves and their music. The hugely artistic and creative band are the humblest of bands who played their most recent single from last year Muddy water. With a relaxed yet somehow rock like vibe this band is one of Adelaide's best.
WING DEFENCE
Third up is one of my personal favorite bands Wing Defence. Such a hugely energetic band, have a bond like siters saying a typical Netball Quote “here if you need” while laughing about themselves. With high jumps, air punches and hair flips it's not a show to be missed. This award-winning band played their most popular songs to date with a cover or wo in the mix. Playing Listerine, friends and a song dedicated to Skye’s son Billy. With a spectacular cover of Spiderbait’s “Sunshine on my window” as an encore.
Over all a Huge line up with big energy and spectacular music.
THE VAINS
SODA
WING DEFENCE
MANE Friday 11th December at Jive Adelaide w/ ARIES & My Cherie
Photos and Review By: Skye Sampson
It's a Friday night and Jive have reopened their doors again. With the new Covid atmosphere the chairs were laid out and the drinks were flowing.
Aires
Aires started us of with her beautiful band. Aries Sang both Originals and covers. With the trio of singers leading us down a path of beauty and Mystery. be sure to listen out for Aries as she has released a new song that you will be sure to hear very soon.
My Cherie
My Cherie WOW this lady brings you to a whole new spiritual journey with her earthly sounds. She is a one-piece band doing everything herself using loops. If you ever needed a reason to get back to your inner peace, then you should probably sit down shut up and enjoy the ride you will be getting from listening because this will take you back there.
MANE
But the main person we were all there to see was MANE. With her stunning vocals that’s like a refreshing breeze on a warm day. Mane is released her new EP last month. She started writing this EP in Brisbane. She said the some of the songs are coming from a dark place but she is ok. Doing 2 beautiful solo’s she followed up with a huge cover of ‘Old town road’ that had everyone singing. Mane ended her set with her hit song Chasing butterflies. The crowd demanded an encore so Mane and her band came back out and Sang her new song ‘Goodbye’ that she wrote with her guitarist Benny. Goodbye is a much slower song but perfect to end the night with the whole crowd singing “Goodbye and go to hell.”
Manes new EP Coping Mechanisms out now on all major streaming services.
https://open.spotify.com/album/5wCXUUFf5GaMBH0xUdtfTI
Aires
My Cherie
MANE
Nocturnal Animals Single Launch December 5, 2020 UniBar ADL
Photos and Review By: Skye Sampson
Nocturnal Animals are not your typical 3-piece alternative rock band. Nay-nay they are 3 Guys who all change instrument between them. Oh, and did I mention that they are skeletons!!!! These guys spend ours getting themselves ready for a show, with their jumpsuits and make up that form the iconic look that they are known for. Their stage set up is just as impressive, with skeletons stuffed seagull beautiful flowers and a huge backdrop of them. These guys spend as much time presenting the band as a whole as they do working on their music. The energy they put in to every show is amazing. With this one being extra special as they released their new song SFOS (So Full Of Shit) release on the 20th of November. There were jokes, a personal dance and of course they played their new song SFOS. SFOS is a big F**K you to the EX and about moving on with life without them.
(Check it out on all major streaming services.) https://open.spotify.com/track/3QoScWYnLwFvSv7JvSKREx
If you haven't checked these guys out do yourself a favour. Their promotions are hilariously terrible B Grade videos that will have you laughing and saying maybe I should go to their show and see what they are like. Do it you won't be disappointed.
John Floreani with Sam Windley 'We Need to Talk' Tour - Sydney Crowbar 4th December
Review By: Jade Guida
Photos By: Jade Guida
Sam Windley is the sun streaming in through your window when you sleep in on a Sunday. Windley is charming, witty and posses a warmth that spreads throughout a crowd as she delivers her smooth acoustic set. This is a musician with something to say, her set is intimate and captivating.
I found myself wanting to know more about the songs and more about the narrative she was telling. In between songs Windley chats easily with an eager crowd about a half desiccated jellyfish being thrown at her guitar. I know this seems strange but under the warm glow of the CrowBar’s lights and in context this story adds to Sam’s quirky charm. Sam presented an undeniably unforgettable set. Her music creates a narrative and leaves you beginning for more.
I really can’t explain how strange it is for me to be writing about John Floreani. This is the man I compare all other musicians. When I write reviews or think about songs, I always hold them to the John Floreani standard. For me, there are few better musicians writing and performing at the moment. Floreani has an unrivalled honesty, his music explores the complexity of life, relationships and the struggles of humanity. There is a tendency to feel like we know musicians we admire, we find there work so relatable we feel that we must know them. John Floreani has always been this higher power in my mind.
He posses an untouchable quality, a complexity I couldn’t even begin to unravel. When you unpick the layers of his songs you are presented with humanity in its purest form, in all of its chaos. His early set at the Crowbar was full of emotion. His in between song banter carried from light hearted joking about a crowd members laugh that was slightly reminiscent of a seal and much heavier topics such as the tragic passing of a friend. I want to say he played all the crowd favourites, but this man doesn’t have a bad track so every song is a favourite. I was personally ecstatic to hear “Before the Devil Knows I’m Dead” and “I don’t want to be here either” both of these songs hold a real emotional significance for me, so hearing them live is always a bit of a morale boost. The thing about a John Floreani set is that you walk out more self aware than you walk in. Every time I see John Floreani perform a solo set, I walk out thinking about the impact we have as individuals on the lives of others. Friday’s set at the Crowbar was no different.
The irony in the tour being called “We need to Talk” is that really most of the time what we need to do is listen and John Floreani is worth listening too. His uncanny ability to draw you in to his narrative and simultaneously make you reflect on your own is why I truly believe this man is unrivalled. He is a musician with something to say.
On a personal level, I don’t like to meet my idols. I am too scared I might need to gently remove them from the pedestal I placed them on. However, Shooting this gig was a milestone for me. When I started on Photography journey 2 years ago, I set out with one fairly narrow goal. Be good enough to shoot Trophy Eyes/ John Floreani. To celebrate, I waited after the gig to buy a shirt and I watched this man sign countless shirts, take selfies and chat with every person who waited after the show. I think this is what makes John Floreani an exceptional musician, his willingness to connect with people.
This was the most incredible night and this experience will live rent free in my mind for a long time.
Sam Windley
John Floreani
HELLSONG: THE UNHOLY REVIVAL - Saturday 5th December at Max Watts Sydney
Photos and Review By: Shiraz Center
Soniq Sounds presented ‘Hellsong: The Unholy Revival’ at Max Watts House of Music in Sydney on Saturday night. The line-up featured a variety of artists and genres from garage punk to alternative psych.
Central Coast four-piece Deadshowws were up first. The alt punk band promptly gained the attention of the crowd, sprinkling covers of Violent Soho, Nirvana and Kelly Clarkson throughout the set. If you’re a fan of Semantics, Concrete Surfers or Catfish, Deadshowws is right up your alley!
Grunge band Stupid Baby followed, introducing the crowd to their angsty feverish tracks. Their sound explores the indie rock genre and pushes further past it. Regardless of being still early in their career, Stupid Baby are definitely a band to watch out for.
Self-proclaimed ‘offensively average’ emo punk band SoSo were up next. With their catchy hooks and relatable lyrics SoSo channelled the joys of the pop-punk genre. With a similar style to Trophy Eyes and Slowly Slowly, SoSo are adding to the growing timbres of Australian punk.
Wollongong’s latest prodigies OK Hotel then took to the stage, showing off a big ballsy sound; comparable to the likes of Green Day and Smashing Pumpkins. Ok Hotel offered the crowd a genuine insight into the up and downs of their relationships growing up. Their sound is light on the senses while remaining full of youthful angst.
From the heart of Melbourne’s Mornington Peninsula, Teenage Dads showed the crowd up with their quirky charm and matchless groove. Their rich melodies and syrupy soundscape charmed the crowd. Front man Jordan was having the time of his life dancing around and everyone felt it. The Dads finished up their set with their latest single ‘Thank You for the Honey, Honey’, a tune the crowd had been itching for.
Post-punk headliners These New South Whales then took to the stage. Starting out as a bit of a joke in 2011, TNSW evolved into a multifaceted creative space; comedy TV, a witty pod and arguably becoming our nation’s most illustrious punk band. There’s something very unique about the way they can fuck around while still taking stabs at the society and the world through catchy anthems. Midway through, front man Jamie began performing 1939’s Wizard of Oz ‘If I were King of the Forest’ - safe to say, they’re full of surprises.
SUNSCREEN with LORELEI at Oxford Arts Factory 26th November
Photos & Review By: Em Violet
It was a very warm night on the 26th of November at the Oxford Art Factory. Everyone took their seats and I could feel their excitement on this Thursday night for some great live music as they patiently waited for the show to start. The heat was rising as the second show of the night commenced with the lovely dream pop band Lorelei taking the stage.
Their dark and dreamy sound echoed through the room that sent chills through the audience. They played through a 30 minute set with some powerful tracks and the voice of Claudia Schmidt was so strong that it engaged the crowd instantly with its haunting charm. Their songs take you away to a fantasy place that you can only find in your dreams, so dreamy but yet so dark in a way. I could think of no better way to start off the night than with this incredible band.
The lights were dim when Sunscreen took the stage with their powerful presence that caught the attention of everyone in the room. As they started playing their first song, i could see the crowd in total bliss, like a sea of happiness- these people were here to enjoy the incredible sounds of this band as they swayed in their seats. This was my second time seeing Sunscreen and they will never disappoint as I could sit in that venue and listen to them play all night. The dreamy sounds mixed with indie that they played radiated to the audience and the vibes were just great throughout their set. This band have so much talent when it comes to creating songs and damn, do they put on one hell of a dreamy experience with their live performance.
I could think of no better way to spend a Thursday night than with these two incredible bands who both dominated the stage with their amazing dreamy sounds and catchy melodies. For the second show of the night, they carried it out perfectly and the audience loved every second of it.
Lorelei
Sunscreen
Crocodylus - Social Climber Tour - with Misty Lanes at Oxford Arts Factory 21st November
Photos & Words By: Shiraz Center
Notorious for their wicked stage presence, last night’s Crocodylus show at Sydney’s Oxford Art Factory did not disappoint.
Supporting Croc was the passion project of Steven W Schouten, Misty Lanes. They taunted the crowd with their experimental low-fidelity psychedelia. There was something so mesmerising about the way the 6-piece offered up such gentle yet refined vocals and woozy melodies. I’ve got no doubt they’re going places; definitely a band to keep a good eye out for.
Crocodylus followed, with the crowd quickly plunged into their dynamic performance and infectious tempo.
Their iconic jump-around punchy energy flew through the crowd, jerking side to side on their seats and knocking each other over. With such animated expression from front man Josh, Stephens crunchy guitar solos and Mikel’s dynamic compelling rhythm on drums, the trio put on an epic show.
Misty Lanes
YUNGBLUD announces 'Life on Mars' Australian tour 2021
Secret Sounds presents…
YUNGBLUD ‘LIFE ON MARS’ AUSTRALIAN TOUR 2021
MELBOURNE | BRISBANE | ADELAIDE | SYDNEY
Sign up now for presale at secretsounds.com
Tickets on sale to general public at 4.00PM AEDT, Friday 27 November
Secret Sounds is thrilled to announce the 2021 return of Australia’s favourite Yorkshire born singer, songwriter and multi-instrumentalist YUNGBLUD.
Kicking off in Melbourne, the all ages tour will also take on Brisbane, Adelaide and Sydney across early September 2021 for YUNGBLUD's biggest shows to date.
In the three years since his first visit down under, YUNGBLUD has established a massive Australian fan base and cemented his place as a festival favourite from Byron Bay to the Apple Isle.
He’s torn up stages at Splendour in the Grass, Spin Off, Falls Festival and Tasmania’s Party in the Paddock, where he famously facilitated a covert marriage proposal from fans Hayley to Grace during his set.
YUNGBLUD has also been feeling the love from some seriously heavyweight collabs that dropped across 2019 and 2020. 11 Minutes with Halsey and Travis Barker has since been certified ARIA Platinum and I Think I’m Okay with Machine Gun Kelly and Travis Barker has reached ARIA Gold along with hits with Dan Reynolds (Imagine Dragons) on original me and a screaming romp in Obey with Bring Me The Horizon.
Now with Cotton Candy currently all over triple j, over 1.5 billion streams and 800,000+ albums sold globally there’s no doubt that YUNGBLUD’s star is continuing to rise both in Australia and around the world.
“I’m so excited to get back down there and see my Aussie fans! I’m sitting on a lot of pent up energy, emotion and passion so you all better prepare yourselves. I’ve had a year trapped in a room and my ADHD needs to have some gasoline put on it and set me on fire…let’s get it!” said YUNGBLUD.
With three sold out Australian tours already behind him and new album Weird! about to drop on December 4, YUNGBLUD is heading back with a bunch of fresh new tracks and all the larrikin good vibes his Australian black hearted fans love.
For a sneak preview of what’s to come in September 2021 Aussie fans can tune into YUNGBLUD’s The Weird Time Of Life bespoke digital world tour at 8pm AEDT on Monday 7 December. Tickets are limited. Purchase early to avoid disappointment.
Pre-order album Weird! here to access ticket pre-sale and album bundle pre-order. The first 50 fans to purchase tickets to each show of the Life On Mars Australian tour will receive an invite to a meet & greet party with YUNGBLUD!
2021 ‘Life on Mars’ Australian Tour
Thursday 2 September – Melbourne, Margaret Court Arena
Saturday 4 September – Brisbane, Fortitude Music Hall
Sunday 5 September – Adelaide, Thebarton Theatre
Wednesday 8 September – Sydney, Hordern Pavilion
Tickets
All shows all ages!
To purchase tickets to all tour dates visit secretsounds.com
About YUNGBLUD
Born in Yorkshire, England, YUNGBLUD (aka Dominic Harrison) is a multi-instrumentalist who first picked up a guitar at age two and began writing his own songs at age 10. The 23-year-old artist is known for voicing what he feels are major concerns for his generation, using his music to unite and empower the youth of today. Bound by a love for his brilliantly outspoken breed of rock-and-roll music, that community has witnessed YUNGBLUD’s rise from a struggling musician living in a Northern England council flat to a global superstar hailed by Rolling Stone as a “pop-punk rebel on a mission” following the release of his self-titled EP and his full-length 2018 debut, 21st Century Liability. In 2019, YUNGBLUD released Live in Atlanta and the underrated youth EP, which debuted in the top 10 on the UK Official Albums chart and contained the hit single “original me” feat. Dan Reynolds of Imagine Dragons. YUNGLBUD has garnered over 1.4B streams worldwide and has over 8.6M monthly listeners on Spotify. Over the years, YUNGBLUD has performed to sold-out crowds in over 20 countries and played some of the world’s biggest festivals, including Austin City Limits, Life Is Beautiful, Lollapalooza, Reading and Leeds Festivals, Splendour in the Grass and Vans Warped Tour.
Boysclub 'Villains' Single Launch w/ Lucid Hoops, We Are Not Robots & Bruise Pristine - Factory Theatre 22nd November
Review & Photos By: Em Violet
It all went down at the Factory Theatre on Sunday the 22nd of November as bands played in every room for Sunday Setlists.
I had the absolute pleasure of attending the BOYSCLUB single launch for their track “Villains” and i can tell you it was filled with great vibes and a lot of energy.
Bruise Pristine
The first band to take the stage was Bruise Pristine. These guys had a lot to offer with their 30 minute set as they played through their fantastic setlist.
The songs shot through the audience with a lot of power which is what i really liked about this band. They started the afternoon off perfectly with their grungy, rock sounds.
We Are Not Robots
We Are Not Robots had a powerful performance with their hard hitting tracks that the audience loved. The band had a lot of energy to give and you could tell that by the way they all played their instruments and with their movements on stage. There was no disappointment when these guys played their catchy, hard rock songs and owned that stage.
Lucid Hoops
The best way to describe Lucid Hoops would to be that they are just full of so much energy. Every member in that band rocked that stage hard with their talent and their ability to jump around on stage and just overall have a good time. The vibes that they gave were incredible during the whole set while they played through their incredible catchy rock tracks. Everyone loves a band that is fun to watch and has great stage presence and this band really did that.
BOYSCLUB
The headliner, BOYSCLUB took to the stage with it only being their second show and they were absolutely incredible. They had the audience completely engaged with their ability to rock hard and play great grunge/rock music. It’s hard to believe that these guys are just starting out, you can tell that they are going to go far as they have a lot of talent. The 30 minute set went by to fast as they played through a great set. You could tell by the faces of the audience that they loved every minute of it. If you get the chance to see this band, i highly recommend it.
BOYSCLUB
Overall the afternoon was filled with some incredible talent and i just adored every single one of these bands. They all brought something a little different to that stage while still rocking out hard and it was great to see.
Bruise Pristine
We Are Not Robots
Lucid Hoops
Budjerah & Teddy Lewis King - Lismore City Hall 14th November
Photos and Review By: Para Ramsay
Being my first live music show since covid, I really wasn't sure what to expect. The whole night was so different to what I am used to. Small venue with all seated patrons at tables. The show was sold out and was a very small room with a very limited capacity, which made for an incredibly intimate show.
Despite all this the whole crowd got into the vibe from the moment local hip hop act Teddy Lewis King hit the stage, consisting of 2 MC’s and a dj. They came out with so much energy, this was their first gig in around 2 years but this high energy trio looked like they had never had a 2 year break, the turntable never missed a beat and neither did either rappers even with an impromptu summersalt mid song. Feeding off each other with every song. They engaged the audience and welcomed them to participate in their songs which all had a cultural message that are more relevant than ever today. These guys had a funky Aussie hip hop style that's very dynamic and up beat. The two MC’s really synced well together. They engaged the crowd with a lot of light hearted humor in between tracks. These guys had a great production and a tight sound and funky beats you just wanted to get up and dance to.
Budjerah came on stage with an angelic presence and a voice well beyond his years. It was inevitable that the young 18 year old would find his place in music, coming from an extremely musical family who also lead worships at the local church. Budjerah’s voice was made for gospel and blues hitting every note with ease and every note transporting you to a happy place. From the moment he started singing everyone fell in love and I looked forward to his little stories in between songs, so well spoken and confident on stage for such a young guy. He played a mix of covers that were important to him and originals, every song delivered wisdom and talent beyond his years. Some were written with family members. His soulful voice captured the hearts of every person in the room, dedicating two song’s for the celebration of NAIDOC week that were written by his grandparents 2 years ago. The last 3 songs were from his upcoming EP that has been produced by Matt Corby. The single has been out a couple weeks and is called “missing you” check it out! You won't be disappointed, this young guy is headed for big things with a voice that filled a room like an angel. So much so my friend who came with me secured his first autograph, He was so amazed, humbled and excited that we loved his music.
Teddy Lewis King
FANGZ 'Fang Us Some Sauce' Launch Party with Grenade Jumper & A Swift Farewell - Factory Theatre 15th November
Photos & Review By: Monika Smith
I never thought it would ever be possible again to go to a show considering that thing that is consuming the world’s population and shutting down the music industry has happen. You know what I am talking about right?
The last time I was at Factory Theatre was on the 27th of FEBRUARY for Between The Buried and Me. Still after experiencing a live show it still all seems like a dream to have set foot back in the hallowed room in Marrickville.
Despite being greeted by two accidents coming down the highway from the Central Coast I dashed into the venue as A Swift Farewell had just commenced their first song. I realised that since not handling a camera for almost 9 months I completely forgot what it was like to shoot a show but after a minute settled back in to familiar territory.
Emma Mather who is A Swift Farewell’s vocalist commands a presence despite her tiny stature and has a voice that grinds you in only the most ridiculously incredible way. It is an unexpected and welcoming sound that makes you sit upright (but do not stand up because Covid rules) and take notice.
A Swift Farewell kicked off the night in only the greatest of styles and the punters who packed the room were in for a treat. As the set progressed the crowd was treated to the debt of their new Dark Emo tune 'Save Yourself’ (due out Friday 4th December). Which is a track you need to hear once it pops out into the world. A Swift Farewell thanked the crowd in the room not only for their attendance but for supporting local music, which as we all know, has been slapped to the side and ignored by the Australian Government despite being constantly called on when disasters happen.
Apart from the aforementioned Emma, A Swift Farewell played an absolutely incredible set with Ryo Sprott (Guitar), Sarah Bonnet (Bass), Dwayne Morris (Drums) all performed tightly, yet with a vengeance to keep the punters eyes glued to them for the whole show.
They finished up their portion of the evening with their track “The Fire” with as much stamina as they put in from the first note.
A Swift Farewell
Grenade Jumper are the kind of band that walk out onto the stage, and if you have not heard them play before. Your expectations will be smashed into smithereens as what they bring forth will leave your jaw permanently (please ensure your mask is big enough for this occasion) on the ground. They would seem like a band that you could casually sway to a nice summer day with a cool breeze (by all means you can to some of their track but we are talking metaphorically), but oh heck no, they will pick you up like a giant wave in the ocean and crash you into the sea bed.
Bianca is part of that unexpected surprise with pipes that make your crinkle up your nose while you try to figure out HOW she can push that out of her voice box but also smile at the same time, so you kind of look like you know a really valuable secret that no one else does.
To jump on the back of my ocean reference, the room was soon awash with the powerful oceanic undertow dragging everyone’s ears, eyes, hearts and souls to Max (guitars), Dean (drums) and Lukas (bass) on the stage in front of them. It felt as though their set finished far too quickly as time past in seconds while the crowd was mesmerised by the spectacular show in front of them.
Grenade Jumper
Fangz.
Oh Fangz.
SOLD OUT SHOW!
Walking out on to the stage to the tune of Slim Shady’s Lose Yourself to kick it off into the best show I have seen in months.
The last time I saw these lads was when they were on tour with Gyroscope, and I am going to go ahead with quoting myself because that is just how I roll: (Click HERE to read that old review ONLY AFTER YOU HAVE READ THIS ONE!!!)
Let me ask you something dear reader.
1. Do you like freaking amazing punk rock?
2. Do you like to be entertained live by the above?
3. Do you like to breathe air to keep alive?
If you answered yes to at least one of these I highly recommend you get yourself to a Fangz show.
The best thing about this band is their levels of insanity from their film clips, personalities and on stage antics. While you could tell that Josh was restraining himself a substantial amount (In my mind I imagined him leaping from table to table if there weren’t Covid restrictions)
Linking their show to the release of a Papa Peachy (Dougie the drummer from Black Rheno) special ‘Fang Us Some Sauce’ made it with a collab with Fangz.
The band describes the motivation behind ‘Fang Us Some Sauce’:
“Some people have dumb lifelong dreams like climbing Mount Everest, or winning lotto. Mine was always to bring out a signature hot sauce. So, when our good friend, Doug, from Papa Peachy hot sauce hit us up asking if we’d like to do a hot sauce collaboration we replied ‘do bears shit in the woods?’ ‘FANG US SOME HOTSAUCE’ is a vegan fusion of eastern and western ingredients, using the world’s hottest chilli, the Carolina reaper, cayenne, garlic, onion and a secret mix of Indian spices to create a beautifully balanced, tangy accompaniment to your morning Bloody Mary, poached eggs, steak, or substitute this for your morning espresso for a unique start to the day. Heat wise, it’s an 8/10 spicy boiz. Enjoy loud and preferably with a beer poured over yourself.”
Fangz
Whilst a lot more subdued that any regular Fangz show the spectacle still brought a ridiculous amount of enjoyment. The normality of a Fangz show is to get climbed over get sweaty, get covered in beer and leave with a bunch of bruises. The adjustment is real but despite the lack of sheer and utter pit chaos. Not one single person looked disappointed. The show had sold out, the room was packed, you could tell pretty much every single punter wanted to stand up, chuck the tables and chairs off the balcony and let chaos consume every fiber of their being.
I have to give out high praise to not only band for taking a negative aspect from Covids restrictions by turning it on its head, and also the crowd for their restrain to not get up, bravo!
During the evening the band was not only treated to the traditional Fangz tunes such as “Falling Out” the band slipped in a cover of Gives You Hell by The All-American Rejects which made everyone in the crowd chair dance plus scream at the top of their lungs the lyrics joining the band in the well known track.
Fangz
Jameel started a comedy act during the show commenting that the empty seats were for his parents who ended up being a no show.
He then proceeded to inform the crowd that “this would be the last Fangz show.”
The shock throughout the room was noted with utter silence as a response from the crowd, people looked hurt, upset and confused until he piped up…
“For 2020, this is our last show, for 2020”
Brilliant and horrific comedy show by Jameel, 0/10. Rude.
Sam joined in on the joke to point out to everyone in the room (indirect quote but the gist was) “Why the fuck would we get this gigantic banner printed if we were breaking up”
Once again you should always expect the unexpected with a Fangz show Emmy from Redhook joined the band on the stage to hit up the second cover of the evening with Beastie Boys - Fight For Your Right bouncing off each others crazy energy Josh and Emmy did the song complete justice.
Fangz & Emmy (Redhook)
'One For You One For Me' signified the end to the evening.
This band just continues to skyrocket and adjust to the circumstances around them. To grow from another band that shattered before them to what they have created today, just goes to show that hard work, passion but also a really good sense of having fun + enjoying what you do and with whom you enjoy to do it with. Proves that they will continue on a positive trajectory.
They have the right mind frame of thinking when it comes to the music industry, just to be who they are, to create what they want to create and inject a happiness to it which just spreads out to those around them.
It is not an easy task in this world to be unapologetically who you are but Fangz continue to inspire and I think that is just so darn necessary during these dark times.
Really looking forward to everything in this bands future.
A Swift Farewell
Grenade Jumper
Fangz
Mini Skirt & Naughty Boys - Vic On The Park 13th November
Review & Photos By: Shiraz Center
Byron’s most abrasive garage punk band, Mini Skirt, ripped into the crowd at Sydney’s ‘Vic on the Park’ Friday night. Despite it being a seated event, the crowd’s anticipation matched any other gig pre-lockdown.
The tour came off the back of the launch of their debut album, ‘Casino’. The band was supported by punk/rock Naughty Boys, who treated the crowd to a combination of warm, characteristically pub style sing-alongs and more abrasive, hard-hitting notes. Their blunt recounts of personal experiences fed right into Mini Skirts callous commentary on society. Both bands struck the crowd with a much-needed reality check.
Mini Skirt brought to the table an unrefined insight into their own observations on politics, race and social constructs. They plainly called out outdated beliefs and shitty behaviour, but did so in a way that didn’t demean those with similar ideologies. The lyrics were clever and upfront, with such heady storytelling that it made it very difficult for the crowd to miss any cues. This bluntness wasn’t just in their music – rather than humouring the crowd in response to song requests, front man Jacob bit back with “we can’t give them what they want, might as well go down there and suck their dicks”.
Overall, Mini Skirt put on an awesome show, with their jarring lyrics and such powerful storytelling, they’re definitely a band to keep on your radar!
NAUGHTY BOYS
MINI SKIRT