Stevie Jean & Indigo Hue at Pennys Bandroom 26th November 2021
PHOTOS BY: NATHAN GOLDSWORTHY
REVIEW BY: MONIKA SMITH
Indigo Hue Photo By Nathan Goldsworthy
As the music scene was slowly re-opening after what feels like 10 years of lockdowns and restrictions.
The patrons slowly shuffled in to Penny’s Bandroom aptly named and located in The Penny Black in Brunwick. The night opened with the fresh faced and incredibly talented Indigo Hue.
Whilst there are no current available recordings from this stellar artist who played to small but enthusiastic and intimate crowd. There was a tease of potentially dropping an upcoming release which will be available to the public some time soon.
Indigo Hue delighted the crowd with original songs and a cheeky little cover to finish off their set.
Stevie Jean Photo By Nathan Goldsworthy
Up next was the ever so charismatic Stevie Jean. The commanding presence of this incredibly talented singer and songwriter is unmatchable.
Originally from Darwin/Larrakia she has strongly solidified her gutsy, strong and uniquely powerful music presence on the Melbourne/Narrm scene. Off the back of her album The Dark which dropped earlier this year. Despite the lockdowns and restrictions in place her album spoke volumes and people sat up to take notice of the powerfully voiced young woman.
The moment Stevie Jean took the stage, the room completely packed out and everyone not only moved with such splendour together but also scream/sang yelled the lyrics right back in Stevie Jeans face and to those at the back of the room turned to each other with smiles that absolutely lit up the room. Not only from the joy of getting to experience live music again but to be able to bare witness to having the privilege of seeing her in a small intimate space as everyone there realised that Stevie Jean is going places and having access to this show is just going to be a magnificent one to have in the memory banks.
If you are yet to experience Stevie Jean you can follow her on all streaming platforms now, or for a taster check out the video clip Menace below!
Indigo Hue
Stevie Jean
Avalanche & Starcrazy at Frankies 20th November 2021
REVIEW AND PHOTOS BY: JADE GUIDA
Frankies is the hottest, stickiest and loudest venue in Sydney, and it would be a hard task to change my mind.
There is an air about Frankies, it is like the kingpin of the underground music scene. If you have ever loved or wanted to catch a glimpse into the sweaty world of underground rock, you have probably done it at Frankies Pizza By the Slice. The general mood at Frankies is unwavering, this venue is a like a cult icon of music. Even in a Post-Covid world they have managed to retain the same electric atmosphere, and there is no better way to add to that then the line-up they had Saturday.
Starcrazy photo by Jade Guida
The night started with an Explosive set from Sydney’s own Power-pop Metal, Starcrazy. Front man Marcus Fraser is one of the most captivating figures gracing the scene. His buttery vocals and equally smooth moves set this band up for a brilliant performance and Saturday night was no different. I know these band members and so it feels a little weird to say it but there is an element of sex appeal in a Starcrazy set, and this latest set was no different. They perfectly exude that 70s/80s Rockstar confidence. You could not walk away early from a Starcrazy set even if you have somewhere to be.
Outside of the consistently great performances the band are talented and clever musicians. The talent and musicianship of all four members is extraordinary and addictive to witness, you want to watch them, you want to listen to them. You want to have glitter eyeliner sweat dripped on you from the stage.
Starcrazy photo by Jade Guida
The songs are quick, fun, and punchy. They had the sticky Frankies dance floor moving from the opening note. The most notable thing I realized on Saturday was how well the music from this band is written. There is a real harmony between music and lyrics. The flow of their songs, whether it be in isolation or across the set is some of the best I have ever seen. There is a distinctiveness of sound for each piece but just enough Starcrazy flare that the fit perfectly together to create a wild and energized listening experience. Overall, I can’t express enough how much I would suggest going out to see this band live. They are dynamite, they have a loyal and enthusiastic fan base who will welcome you to the dancefloor with open arms and then have you shake your sweaty body along with theirs.
Avalanche photo by Jade Guida
The main event for the night is Avalanche.
This band grinds, they are loud Rock. My ears are still ringing. They are some of the most talented and hard-working musicians to exist in the scene and my goodness do they rock. This is classic rock. In my opinion, this is some of the most authentic Rock music to exist in Sydney now and it comes in the most unlikely package. Four fairly young musicians with a love of the classics. I think if you have never seen a photo, video or this band live you would not match them to their sound, and for me that is one of the greatest aspects about seeing them live. Seeing them for the first time would be like opening a Kinder Surprise. You know you are getting chocolate, but when you work out what is in the centre you get that small electric jolt of joy.
Time at home hasn’t set this bands performance style back in the slightest. They were loud, they were fun and they were ready to bring their take on Rock to Frankies. I think I have made it clear in previous reviews that I think Veronica Campbell is the most exceptional Guitarist I have met. Saturday was no different. She plays with so much ease and joy, you can feel the love and passion she has for her craft and music. Veronica will walk out into the crowd, throw herself (yes, I mean throw) on the floor, roll and lay over her bandmates in a trance like state.
Avalanche photo by Jade Guida
She is the High Empress of Guitarist and I will never stop obsessing over watching her live. The 20-year-old drummer Ryan is probably the dark horse. He is full of energy all the time. He is essentially the energizer bunny, but my god is he exceptional. I am usually too busy teasing Ryan to appreciate how skilled he is as a drummer. On Saturday I can honestly say he was the standout for me. I think what Ryan (Drums) has in terms of ability goes beyond skill, there is that key element of brilliant musicianship when you watch and hear him play. He is a true creative musician and performer.
Avalanche photo by Jade Guida
The cohesive nature of this band is brilliant. They wrong songs, they play gigs, and they perform phenomenally well together. They are a well-oiled machine of Rock brilliance. This music is down to earth, its honest and raw and fans freaking love it. I watched the crowd dance, sway and head bang the entire set. Much like the music the punters at these shows are wild and ready to rock. While I was shoving an entire slice of Pizza in my mouth after the set, someone come up to tell me they had been to 7 Avalanche shows. The music has that nostaligic, iconic vibrance that just inspires loyalty. Avalanche are gritty, down to earth and quintessential listening for avid Rock lovers. Get yourself to their next gig, have a listen to their music and enjoy.
Starcrazy photos by Jade Guida
Avalanche photos by Jade Guida
Joe Mungovan with Mark Crotti at Terrigal Surf Café 18th November 2021
REVIEW BY: MONIKA SMITH
PHOTOS BY: MONIKA SMITH
JOE MUNGOVAN - PHOTO BY MONIKA SMITH
As a cool breeze danced its way over the sun-soaked sands of Terrigal Beach outside of the Surf Café on the main esplanade; people were out walking around, enjoying the beach and settling down to some breakfast.
With there being a form of normality not only returning to life around New South Wales but to the crippled and seemingly forgotten music scene was taking steps towards flourishing again.
Blended Indie Rock/Pop aficionado South Coast resident Joe Mungovan alongside the equally as talented Mark Crotti were on their ‘Breakfast With Joe’ Tour; Terrigal being their 5th stop on the tour working its way up the east coast and ending the tour in Katoomba.
In association with the release of Joe’s debut album ‘A Flower In The Weeds’ which has only been out for a little over a week now and has been gaining outstanding reviews and praise.
MARK CROTTI - PHOTO BY MONIKA SMITH
Opening up for the breakfast crowd Mark Crotti with his delightfully ranged voice breaking into the falsetto ranges and finger plucking prowess then out of nowhere drops several octaves to drag you down deep into the crevasse before hurtling you back up in spectacular fashion.
Mark not only woke up the sleepy breakfast crowd but had them almost salivating for more with his originally written tracks and creating a new but carefully layered cover version of ‘Edward Sharpe & The Magnetic Zeros – Home’.
There could not have been a more perfect opening act for Joe Mungovan’s tour.
JOE MUNGOVAN - PHOTO BY MONIKA SMITH
Joe Mungovan has an ability to capture a crowd and make the people that were busy buzzing hastily around the Terrigal Esplanade to stop in their tracks. Most stood and watched while others had to take a seat to watch Joe perform.
As his voice pirouetted upon the breeze that was entangling the warmth of the morning; people crossed the street just to come and check out Joe’s set. People got up and moved around together as one dancing in the sunshine and to welcomed sound of live music.
He is masterful at what he does and has this (gentle) commanding presence that just pulls you in and makes you take notice. I think that this is extremely beneficial to him especially when performing out in the open in front of a wandering crowd of people who unexpectedly happened upon the show.
JOE MUNGOVAN - PHOTO BY MONIKA SMITH
Whilst the genre of music that Joe produces is not new, he takes it and delicately but forcefully twists it into something that is uniquely his own.
It could not have been a more perfect day, spot and experience. The music from Joe and Mark complimented not only the glorious day, but worked so incredibly well with the scenic backdrop making it feel like an early start to the summer season.
Joe’s new album ‘A Flower In The Weeds’ is on all streaming services now, alternatively if you want a physical copy you can purchase it from his website HERE.
‘Breakfast With Joe’ Cafe Tour
(Free Entry)
Saturday, November 13 - Little Earth Cafe, Kiama
Sunday, November 14 - Bulli Beach Cafe, Wollongong
Tuesday, November 16 - Sandbox, Port Macquarie
Wednesday, November 17 - Beach Bums, Forster
Thursday, November 18 - Surf Cafe, Terrigal
Friday, November 19 - Coquun, Maitland
Saturday, November 20 - The Kiosk, Newcastle
Sunday, November 21 - Harvest Deli, Newrybar
Thursday, November 25 - Yum Yum Cafe, New Brighton
Saturday, November 27 - Frankies Coffee Van, Culburra
Sunday, November 28 - The Hungry Monkey, Berry
Thursday, December 2 - The Hungry Monkey, Bowral
Saturday, December 4 - Cuckoo Callay, Surry Hills
Sunday, December 5 - Frankly My Dear, Katoomba
MARK CROTTI
JOE MUNGOVAN
Jesabel Releases Debut Electro-Pop Single 'Gemini'
Known for having spent the last 8 years DJing massive festivals around Australia, South East Asia and New Zealand as well as playing alongside/ supporting the likes of Ed Sheeran, Martin Garrix, Steve Aoki, Bliss N Eso, Showtek, Timmy Trumpet, Will Sparks, Havana Brown and more, Jesabel is releasing her debut feel-good, electro-pop single 'Gemini' on May 28.
In 2015 Jesabel signed a management deal with the iconic dance music label Ministry of Sound that kick-started her career as a DJ where she became the first female DJ to mix 'The Annual' compilation by Ministry of Sound.
Having cemented herself in the EDM scene, Jesabel has gone on to perform at festivals like Marquee Singapore, Omnia Bali, It's The Ship Singapore, Ultra Australia, Stereosonic and Future Music Festival as well as spending time as a television presenter on MTV, radio host on iHeart Radio's Dance station and much more. Jesabel is currently being represented by one of Australia's biggest electronic dance music agencies, Lucky Entertainment.
Having already accomplished so much, Jesabel is now releasing her very own debut single in the form of 'Gemini'. Inspired by the late '70s, early '80s disco era with a strong modern pop influence, 'Gemini' is an intoxicating number that moves forward with an upbeat electro-funk groove as Jesabel lays down her cool, captivating vocal melodies. She shines in the hook-laden, feel-good chorus that bursts with life backed by that funk groove and a seriously satisfying synth horn melody.
Being such an energetic track, 'Gemini' – as the title suggests – was fittingly written about a true Gemini. Jesabel states:
"I am surrounded by so many true Gemini's in my life. Including myself! There really is never a dull moment in my relationships with my Gemini circle. I wake up not knowing what I can expect from myself sometimes, let alone those around me - it's fun and exciting!"
Using her already massive platform which she has built for herself over the past 8 years, Jesabel has positioned herself for a huge debut single release, setting the tone for many more to come.
Follow Jesabel
Spotify | Youtube | Soundcloud
Facebook | Instagram: @jesabeldj | TikTok
CROCODYLUS with Dick Dudley + Megafauna at Waywards 28th May 2021
PHOTOS BY SHIRAZ CENTER
REVIEW BY GUS
Supersoaker the fresh faced 4 piece brought a fast paced, high energy tempo, with all the fill ins for a classic garage rock sound. From the first lick, their set delivered the energy and exuberance for which they’re quickly becoming renowned, bringing the crowd to their feet from the word go.
For their first night out, Newcomers Dick Dudley did not disappoint. Backed by a heavy, Post punk sound, their Sardonic Lyricism is full to-the-brim with dry, esoteric wit. A combination that just seems to work.
On their long awaited return to Stand up gigs, Headliners, Crocadylus, did not disappoint. Bringing their staple, high flying eclecticism back to the Waywards in 2021, the boys set the crowd alight. With the addition of Le Shiv’s, Jack Voroshine on Bass, they seemed to have found a greater, more toned-in musicianship than many of their early tracks, without compromising the garage rock sound that has become unanimous with mention of the band.
BUGS, TEENAGE JOANS, MELALEUCA AT LION ARTS FACTORY ADELAIDE 28TH MAY 2021
REVIEW AND PHOTOS BY SKYE SAMPSON
After so long between Adelaide shows for Bugs Lion Arts Factory sold out.
Bugs brought their dear friends Melaleuca from Brisbane to open the night for them.
MELALEUCA
Being the first band to open is always hard but they warmed up the crowd so quickly and gain a few extra fans that night.
TEENAGE JOANS
Making way for the dynamic duo Teenage Joans. These two have a huge fan base in Adelaide with every favourite song being sung along to. There new song Wine was released this week so its quickly becoming a crowd favourite.
The new EP dropped Friday so make sure you have a listen and head along to their tour in July.
BUGS
The energy Bugs gave was insane. Most the crowd would have gone home with a lost voice with the way that they were all singing along to every single word.
Opening with “old youth feeling.” It was huge right from the start it was at that moment the crowd started jumping. With the vibrations going right through your body the buzz did not stop there.
With the first note of “Neighborhood” the crowd sung it for Connor it wasn’t until the first chorus that the bugs boys were able to join in after being so ecstatic with how popular the song is.
BUGS
Connor was left on his own to do a solo for “heart on your sleeve” and “DCP” with Brock and Jordan almost missing their cue to go back on by laughing side stage joking about how Connor would react if the missed it almost actually missing it.
The crowd went crazy for the cover “She’s so High by Tal Bachman” but the main song that the crowd went wild for was the closing song “Charlie by Mallrat”
BUGS
But the night didn’t end there. The bugs boys went on to Fat Controller and played a DJ set. With it being Bugs first time doing a DJ set it was very interesting but extremely entertaining. Once they got the hang of it, they were even taking request from the crowd. Teenage Jones even came to help out and have a dance with them. Adelaide can't wait for them to come back again.
MELALEUCA
TEENAGE JOANS
BUGS
Potion “Oath To Flame” EP Launch with KVLL, Mountain Wizard Death Cult & Astrodeath at Crowbar 20th May 2021
PHOTOS AND REVIEW BY: EMERALD VIOLET
Thursday night was a night full of doom metal, drinks, and good company as Sydney band Potion were set to launch their brand new EP “Oath To Flame''. They brought along fellow metal bands KVLL, Mountain Wizard Death Cult, and Astrodeath to start off the sold out show at Crowbar. The show kicked off around 8:30pm and saw the likes of a fairly big crowd from the start which is good to see and as the night continued the crowd only got bigger.
KVLL
The night started off strong with Melbourne band KVLL who took to the stage and played an absolutely solid thirty minute set. The slow but loud chugs of the guitars had the whole room vibrating as the crowd watched and headbanged along. The three-piece worked well together to create this fantastic doom metal sound that you fall in love with instantly. It was the perfect band to kick off the night.
Mountain Wizard Death Cult
Mountain Wizard Death Cult are a great band to watch live - the band have such passion for their art and you can see that when watching them on stage. They played loud, gritty tracks and had the ever growing crowd moving around and headbanging the whole time they played. The guitarist and bassist had a lot of skill and had a lot of stage presence as they moved around forcefully and brought a lot of energy to the performance. The loud instruments echoed through the room and the screams from the vocalist were even louder as it came together and filled up the entire room, making the walls shake from the power these guys threw out. It was an incredible set from start to end.
Next up, Astrodeath takes the stage and they did not disappoint. For a two-piece band they know how to really fill up a room with loud music and have the whole crowd entertained and rocking out. The heavy smoke and the coloured lights drowned out the stage to add to the atmosphere as the band played through their loud and heavy songs. They went hard during their thirty minute set and put on one hell of a show that everyone loved and got into. I could watch these guys play over and over again as they were very entertaining and had a good catalogue of tracks.
Potion
Potion are fierce and throw out a lot of power during their performance. Everything came together and had the whole room shaking from the loud and heavy instruments. The bass and drums were so powerful that you could feel the vibrations from the very back of the room. There were a lot of people moving around, headbanging and all around just enjoying themselves to Potion’s heavy, doom metal sound.
Thursday night saw four really great bands obliterate the stage and create such a great night and atmosphere for everyone. The bands all played solid sets and expelled such power, drive, and force into the audience. It was the perfect night for a lot of metal fans to come together and enjoy.
KVLL
Mountain Wizard Death Cult
Astrodeath
Potion
Next Exit Festival Gosford Entertainment Grounds 23rd May 2021
PHOTOS BY MONIKA SMITH
REVIEW BY MONIKA SMITH
NOTES BY MELISSA POOLMAN
THE CALM BEFORE THE STORM - PHOTO BY MONIKA SMITH
First things first. To the organisers, the promoters and everyone involved in creating Next Exit Festival.
BRAVO! What a well put together festival that went off without a hitch from start to finish.
As we lined up it seemed somewhat surreal to be in a line that was going in to a festival. The rain lightly drizzled upon the waiting patrons as many scrambled to put on ponchos to shelter from the icy rains.
CLEWS - PHOTO BY MONIKA SMITH
A rather large portion of people showed up early which was magnificent to see especially for an opening act. Which was the absolutely incredible Clews. Clews drew the crowd in closer to the stage. Fronted by sisters Lily and Grace Richardson who originally hail from Mollymook now residing in Sydney treating the early arrivals to their hauntingly beautiful Indie Pop Rock vibes.
CLEWS - PHOTO BY MONIKA SMITH
Lily jumped up and down in sync with the crowd which amped up everyone even more.
As the breeze carried one of their first songs “Crushed” over the dancing people in the audience you could see massive beaming smiles on everyone’s faces as they connected with the band and the people around them. While it was still sprinkling a little bit; the blue sky snuck back into view.
CLEWS - PHOTO BY MONIKA SMITH
SUPER PUMPED CROWD - PHOTO BY MONIKA SMITH
After a quick change over by stage hands the infectious Merci Mercy took to the stage starting strong off the already soaring crowd's good mood by diving in to “Falling Apart”. You couldn’t knock the beaming smile off Merci Mercy’s face if you tried. Picking up a ukulele to serenade the crowd it all matched with the now beautiful day in Gosford.
MERCI MERCY - PHOTO BY MONIKA SMITH
With a little mishap starting to a new song, it got the band and the crowd laughing before they fully kicked in to a song she wrote because her mother told her she was drinking too much so she thought “FUCK YOU” and wrote about an Alcohol Free Day.
MERCI MERCY - PHOTO BY MONIKA SMITH
You could tell how grateful she was to be on the stage especially when she got to wave to her brother in the crowd and he was enthusiastically greeted by everyone around him.
Finishing off her set with “Fucked myself up on purpose, 'Cause too much is never enough, What is it you want from me, This shit don't come so easily!”
MERCI MERCY - PHOTO BY MONIKA SMITH
SOME PEOPLE IN THE CROWD CHILLING WAITING FOR THE NEXT SET - PHOTO BY MONIKA SMITH
Dear Seattle took the stage as it was getting darker. At this point the crowd had a few drinks in their bellies and were rather enthusiastic, but who wouldn’t be with the energy from such a band as them? The band chewed up the energy of the crowd and spat it back out at them like a rotating tornado.
DEAR SEATTLE - PHOTO BY MONIKA SMITH
The band were jumping and thriving on the crowd which was jumping up and down throwing their hands in the air eating up and living in the moment of live music.
DEAR SEATTLE - PHOTO BY MONIKA SMITH
The band played their Like A Version Triple J cover of Missy Higgins’ “Special Two” which everyone sang along to.
Brae Fisher dedicated everything he learnt and knows about music from his father who passed away in a tragic surfing accident when he was 6 years old kicking in to their track “I Keep Dreaming”
Finishing their set with “Daytime TV” on a massive high of rocking out all over the stage to match everyone cutting loose in the crowd.
DEAR SEATTLE - PHOTO BY MONIKA SMITH
SOME OF THE FRIENDLY FACES IN THE CROWD - PHOTO BY MONIKA SMITH
Spacey Jane took to the stage and as soon as they took the stage everyone was drawn away from the food and drink stalls the second the band banged out their first note.
SPACEY JANE - PHOTO BY MONIKA SMITH
As ‘Skin’ swept over the crowd with Caleb's voice dancing across the audience “Call it off, it's raining in the summertime, I'm careless and I'm breathing in, I'm running wild, Hope it's easing up, 'Cause it's filling up all the empty cups, But it's better them than the rest of us, Hope it's easing up”
SPACEY JANE - PHOTO BY MONIKA SMITH
The crowd all moved together swaying in unison, jumping up and down as one, and on the outskirts of the massive crowd people grooved and floated while playing stuck in the mud from the earlier rains.
The moment they began to play ‘Feeding The Family’ people clambered onto their friends' shoulders and there was a sea of mobile phones in the air recording the memory from their set.
SPACEY JANE - PHOTO BY MONIKA SMITH
The band also interacted in the most obviously happy way to be back in front of crowds. As Peppa Lane and Ashton Le Cornu began a dance battle with each other twisting, turning and in between singing breaks Caleb joined them for one of the best highlights of the night just to see people doing what they were meant to do be doing. Finishing the night off evening with ‘Good For You’. Kieran and the whole band just looked so accomplished with beaming smiles from their flawless set.
SPACEY JANE - PHOTO BY MONIKA SMITH
ALL SMILES AT NEXT EXIT FESTIVAL GOSFORD - PHOTO BY MONIKA SMITH
OCEAN ALLEY - PHOTO BY MONIKA SMITH
Angus Goodwin, Nic Blom, Lach Galbrait, Mitch Galbraith & Tom O'Brien walked on stage Having played in Gosford a few times now Ocean Alley were enthusiastically greeted by a boisterous and vocal crowd. Baden Donegal has a dominating presence on stage and you could tell the moment he stepped foot on it and the crowd saw him.
OCEAN ALLEY - PHOTO BY MONIKA SMITH
The energy escalated even further. “Melted wax on the seats inside, Fingers crossed, this old girl can make it, Cover your eyes, now the sky is burning, Grip that chair so tightly, might break it” danced in the ears of the punters as they moved as if they were one giant tree and its branches were being playfully swirled around by a gust of air.
OCEAN ALLEY - PHOTO BY MONIKA SMITH
A few of the bands tonight played some cover songs but Ocean Alley bust out with some Pink Floyd which was met with equal appreciation from everyone. At one point during the set the band was drowned out completely by the crowd singing their songs in unison. “I think she knows, and I think she knows, She's making me nervous, she's making me nervous, I think she knows, and I think she knows, She's out of my league, 'Cause it's all about confidence baby” echoed out across Gosford Racecourse into the darkened skies with the moon floating above. As the lights from the stage created shadows and highlighted the faces of the punters.
OCEAN ALLEY - PHOTO BY MONIKA SMITH
You could see them all singing along and you could hear the chorus of vocals with not one single person standing still.
The rest of their set was absolutely perfect set which totally rounded out the most spectacular festival I have been to for a while.
OCEAN ALLEY - PHOTO BY MONIKA SMITH
FRONT ROW FRIENDS - PHOTO BY MONIKA SMITH
CLEWS
MERCI MERCY
DEAR SEATTLE
SPACEY JANE
OCEAN ALLEY
CROWD SHOTS
Avalanche ‘Second Hand Band’ East Coast Tour at Paddo RSL 22ND MAY
REVIEW AND PHOTOS BY JADE GUIDA
My Parent’s played a lot of different music in my house when I was growing up. My parents have nothing little in common, except for there love of Vintage American Muscle Cars and Rock music. The only family tradition we have is going to car shows which always seem to be some ridiculously obscene distance away. The upside was they always played classic rock on those 3 hour drives. I mean, they played true classic rock.
Now, individually my parents have very diverse music taste but together its all about the Rock. Among numerous other reasons the fact that Avalanche play pure Aussie Rock is one of the reasons I love them.
They sound like a ton of happy memories.
They play pure Australian Hard Rock and they do it fucking well. This is a rare thing for bands to be doing in 2021, long gone are the days of AC/DC and Rose Tattoo type bands. Avalanche just shoulder charge you with energy and authenticity, there is nothing false about the. They are raw, gritty, and extremely talented musicians.
They released their EP Second Hand Band and it hits hard, it’s a smooth whisky and the wind blowing in your hair. The EP is rough rock played superbly. The launch show at Paddo RSL was something that had to be experienced. Every time I see this band play, they get better.
On Saturday they oozed confidence. The expression you can’t keep a good girl down, was made for guitarist Veronica affectionately known as V. I know this band and can say with a huge amount of confidence that V is the toughest of the four. She is the ultimate badass Rocker, always sporting her ripped jeans, a bralette and converse. Veronica is an exceptional guitarist and delivered a hair-raising performance on Saturday, sauntering off stage, parting the crowd like the red sea.
Steve has a god-like presence. Even when I edit photos, there is something other worldly about his energy.
Arthur is, well Arthur. The guy is great, honestly and he just looks so unencumbered on stage almost untouchable.
Ryan on Drums is divine. I think Ryan is one of the best people I have ever worked with, he straight talking off-stage a mirror to his infallible drumming ability. This show was an incredible experience, not only did the band deliver a high energy, seamless performance – they did it with unwavering confidence.
The crowd was enthusiastic at worst and downright rowdy at best. Someone stage dived into a pool of only 5 people, got up and shook himself off and went again. That’s what Avalanche will do to you, they will strip away all sense of reason and leave you with an unwavering desire to fuck shit up.
Check out this EP its literally classic! And go to a show, you could not regret it.
Yours Truly with Stuck Out at Crowbar Sydney 15th May 2021
REVIEW AND PHOTOS BY EMERALD VIOLET
With the ability to dance at shows being taken away…. Again, and a lot of shows around Sydney being rescheduled left, right, and centre we became extremely lucky that Crowbar moved fast to put seating into place so that they could continue hosting shows at the venue. So Saturday the 15th of May saw pop punk favourites Yours Truly play two back to back sold out shows to a huge crowd of fans. They brought Melbourne band Stuck Out along and were touring to help launch their debut album “Self Care” which was released back in 2020.
Even though it sucked to be seated again, the atmosphere was still there and you could feel the excitement from everyone in the room as they waited patiently for the show to start.
Stuck Out
Pop punk band Stuck Out opened up the night and it was an absolute joy to watch these guys perform live as they jumped around on stage, were highly engaging with the crowd, and had catchy tunes that filled up the room. This band had a lot of energy to give as they played a strong 30 minute set and got the crowd warmed up for Yours Truly. There was nothing better to watch than a high energetic band throwing such energy out into the venue during their performance and getting everyone pumped. I wish I could have seen them play a second time because they were SO good!
Yours Truly
When Yours Truly took to the stage, the faces all around in the crowd lit up with excitement as they yelled out to the band. It was an amazing set from start to finish, every member in the band really gave it their all and the vocals from Mikaila Delgado were absolutely phenomenal. Smiles were exchanged throughout the show between band members as they each individually played a solid show and had fun doing it.
They played some older songs as well as some bangers from their debut album that was released last year which was the perfect set list that everyone could appreciate and the energy in the room was high as fans were moving around in their seats to the fast paced songs and screaming the lyrics back to the band. Everything about their set was just really great and you could tell that every person in the room was having a good time.
The whole night had an incredible atmosphere that you just couldn’t beat. Both bands really did their best during their performances and put on a really great show that fans loved. High energy performances, catchy tunes, and drinks flowing made for the perfect saturday night and the perfect live music performance. Yours Truly are a fun pop punk band that have so much talent and always know how to have fun during their set while putting on a great show for their fans.
Stuck Out
Yours Truly
Johnny Hunter with Array at Oxford Art Factory 1st May 2021
REVIEW AND PHOTOS BY: EMERALD VIOLET
Johnny Hunter took to the Oxford Art Factory for two back to back shows on Saturday the 1st of May and brought along alternative rock band Array for the first show and indie favs Megafauna for the second show. When you put Array and Johnny Hunter together, it makes for one huge night of entertainment and with Saturday being the last stop of the tour, it brought a lot of joy and dancing to everyone that came out to the show.
Array
Array have a lot of talent and play loud, powerful songs that just blow you away from the first note. Combined with the low lights and the forceful stage presence, the guys know how to rock and they do in such a way that everyone can appreciate. Some songs included mellow versus and heavier choruses that had a lot of catchy hooks which made the crowd move around and dance.They played a strong set and definitely got the crowd ready for Johnny Hunter.
Johnny Hunter
There’s nothing better than getting to see Johnny Hunter perform. The energy that the band gave to the crowd is none other than amazing and you can’t help but dance around to the glorious sounds of the music. The instruments come together to create this new wave sound that echoes throughout the entire room and helps make this surreal atmosphere that everyone loved. The whole performance was incredible, I couldn't keep my eyes off the band as they owned that stage with great stage presence and power. Glancing around the room, nearly all of the people in the crowd knew the majority of the songs and as they were being performed, the crowd would dance and since the words back to the band. A highlight track that stuck out to me was “Beautiful Dreamer” - that track is just amazing and to be able to see the band perform it live was a real treat.
Johnny Hunter
The night's energy cannot be matched as it was absolutely incredible. The performance was astounding and everyone enjoyed every second of it. With such passion, each member of Johnny Hunter put on one really great show that will forever be one of my favourites.
Array
Johnny Hunter
Haiku Hands Sydney 'Super Villain' Tour with Jaecy at OXFORD ART FACTORY 24th APRIL 2021
REVIEW AND PHOTOS BY: EMERALD VIOLET
Saturday night at the Oxford Art Factory saw two shows from energetic band Haiku Hands - one starting at 6:00pm while the second show followed at 9:00pm. This served well for fans as they got the chance to party earlier or later in the night. Everything started off when DJ SOJU took the stage and played banger after banger and really warmed up the ever growing crowd as they were getting drinks and dancing around the dance floor. This was definitely a perfect start and kickstarted the energy for the rest of the night.
Jaecy
We then saw hip hop artist Jaecy open up the stage for Haiku Hands and he did not disappoint. The faces of the large crowd lit up as soon as the artist stepped on stage and started to perform. The music was great and everyone was moving around and dancing throughout the whole set. The energy was taken to the next level as Jaecy moved around the stage and engaged heavily with the crowd which made for a strong performance. It was a great time for everyone who came out as they were able to dance around freely and have a good time.
Haiku Hands
Haiku Hands brought so much energy to the stage. As soon as they walked out, the crowd went crazy and threw their hands up in the air and screamed out in excitement. Smiles lit up the faces of Haiku Hands as they stood in a line, one behind the other getting ready to start and as the lights came on they started to perform with high energy from the word go. They work together on stage and throw out great vibes throughout the venue that creates one hell of a show and you could tell the audience loved every minute of it. The mixture of their energy and great songs make for a really great performance. During the set, there were smiles, dancing and a perfect atmosphere and I’m glad I got to be there to see that. It was an amazing performance and I loved seeing each member work together and give their all to create a great night for everyone.
Haiku Hands
It was hard to match the energy in the Oxford Art Factory on Saturday night. Everyone was seen having a really great time whether they were dancing, watching, or sitting in the back - you could tell that it was a spectacular night that was enjoyed by all. Haiku Hands are powerful with their loud tunes and striking energy, it was enough to make anyone a fan instantly.
Jaecy
Haiku Hands
HONEY HAYZE at the Northern Hotel Byron Bay 16th April
REVIEW AND PHOTOS BY: PARA RAMSAY
Honey haze exploded onto the stage for a funky high energy dynamic set. With mix of blues and funky vibes they didn't disappoint. Being one of the first dancing gigs i have been to in awhile, It was good to see people up and embracing the fusion mixed music. The crowd was so engaged and Earl frequently got amongst it.
These guys definitely showed the crowd they where here to not just play but to party too, when they brang out a bottle Jameson and shared it amongst the willing dancers. It was definitely a show to remember with Earl’s low voice and the funky fusion along with saxophone solos.
Their tunes were fun and catchy and easy to sing or bop along too. The crowd was taking it all in and creating so much energy atmosphere. Earls crowd involvement and high energy almost everyone was dancing throughout the whole set. It was a welcome change from the few seated gigs I have been to. And amazing to see a glimpse of normality after these hard times. These guys sound so good and are so much fun, so worth checking out.
''Home Brewed'' Festival 2021 - Crowbar Sydney 17th April
REVIEW AND PHOTOS BY: EMERALD VIOLET
Home Brewed Festival kicked off in Sydney at Crowbar on the 17th of April and saw the likes of 10 loud and talented local bands which were Big Red Fire Truck, Avalanche, Wicked Things, Hibiscus Biscuit, Screaming Eagle, HIGH, Dept Of Gloom, and Bad Moon Born who played a huge day of live music from 3pm.
Home Brewed Festival is set to happen in Melbourne and Brisbane which will feature some awesome local talent from each state. Silverback Touring have done an amazing job to put all of this together and create an incredible line up of some great local talent that definitely kept everyone entertained all day. Fans of different genres headed down to the venue as the atmosphere was great, the drinks were flowing, the bands were heavy which all and all looked to be a very successful turn out. I had the absolute pleasure of attending this fantastic day and got to see each band absolutely smash it out and give an amazing performance. You can read all about it below!
Big Red Fire Truck
Starting the afternoon off was none other than the great Big Red Fire Truck who were truly electrifying. Their performance was one where you just couldn’t look away because of how entertained you were. The band have huge 80’s rock vibes from the way they move around so effortlessly on stage to the killer sounds of their music that included a lot of solos that could shred your face off. On top of all of this, the bass was loud and the vocals were strong which all came together to create a lot of head banging. Definitely the perfect way to kick off Home Brewed.
Avalanche
Next up, Sydney rock and roll legends Avalanche had their time to shine and they did not disappoint at all. The killer vocals, the sick guitar solos, and the fast paced drums were enough to get you hooked into their set. They each have incredible stage presence and great chemistry between each other which made for an even better performance. Avalanche played through their set with such force and power as they played through their infectious tracks that are so fucking catchy. There was a lot of hair and a lot of head banging and I was there for it.
Wicked Things
Wicked Things are a kickass band with a lot of powerful energy. They played around 30 minutes of badass rock and roll tracks that had the ever growing crowd dancing around to and having a good time. The band also has an amazing stage presence, they use a lot of their energy to engage and interact with the audience whether it is getting up close, talking throughout the set or jumping into the crowd and jumping around with them. What else can I say other than everything about this band is great and they have a lot of talent.
Hibiscus Biscuit
Hibiscus Biscuit were like the palette cleanser of the night. They came onto the stage and played some slower, groovier, psych tunes that were different from any band that had previously played. I appreciated it and I also appreciated the groovy bass lines and funky notes from the keyboard. Everything was a slower vibe but that didn't stop the audience from having a good time. Their songs were very catchy and at one point even dream like as all the instruments came together to create this unique sound.
Screaming Eagle
I had never seen Screaming Eagle live before and man, did they blow me away. The Central Coast 4-piece absolutely rocked the stage and charmed the audience with their punchy, energetic rock tracks. Their set seemed to go by too fast as it was so entertaining, I lost track of time. While everything just came together and echoed through the venue to create one really great set that was enjoyed by everyone in the room. It was loud, full of sick riffs, and undeniably a fantastic time.
HIGH
HIGH are a unique band that played one catchy song after the next - the bassist and guitarist had perfect chemistry between each other on stage and absolutely killed it. Their set was a good time and the huge crowd for them enjoyed every second of it.
Dept Of Gloom
Dept Of Gloom are fun and entertaining with their well-written songs, great attitude, and their passion for music. Throughout their set they managed to captivate the crowd with their loud instrumentals and vocals, making it a badass show that I thoroughly enjoyed. On top of this we got to see the guitarist change a broken string on stage within minutes which was pretty impressive by all means. The band had great energy between each other as they exchanged humour between them and entertained the audience.
Bad Moon Born
The last band of the night, Bad Moon Born are incredible and certainly showcased that during their set. Their songs are great, loud as fuck and will get stuck in your head. The lead singer moved around the stage with such force during the set as he engaged the audience the whole time and gave his all with the vocals. This band brought huge energy to the stage and threw that energy out into the crowd which was great to see. The instrumentals were heavy and loud and there was a lot of movement on stage which made for an entertaining ending to the night.
It was a great night for live music as we got to see the local talent of 8 bands in total and each of them were unique in their own way and absolutely smashed it with such power and passion. Since standing is allowed at gigs now, it was such a joy to see people dancing and headbanging and enjoying every minute of the night. There was such a great atmosphere and Silverback Touring did an incredible job organising the show and putting such great bands on.
Big Red Fire Track
Avalanche
Wicked Things
Hibiscus Biscuit
Screaming Eagle
HIGH
Dept Of Gloom
d Moon Born
Polish Club with Merpire - Live! For A Minute - Corner Hotel Melbourne 17th April
Photos By: Monique Pizzica
Review By: Monique La Terra
Following 2020’s live-music drought it’s only natural for crowds to feel a bit shaky now that venues have reopened but there’s just something about the iconic Corner Hotel that puts you at ease and on Saturday night Melbourne was treated to something special.
On their Live! For A Minute tour, Sydney rock duo Polish Club, with support act Merpire, played not one but two sold-out shows on the same night and while I can’t speak for the late show, the early show was a musical celebration of soulful, garage rock.
Merpire
Unashamedly wearing her own merch, Merpire started her set unceremoniously before quickly winning over the crowd in the space of a few songs with her charisma and unique brand of alt-pop. Hauntingly introspective, the set echoed with vulnerability, and other than getting her hair caught in her guitar strap it was all smooth sailing for the Melbourne-based singer-songwriter. Joined by producer/bandmate James Seymour, Merpire played a modest set which included her latest single ‘Dinosaur’— a track that draws a line between social anxiety and the Jurassic Park quote “Don't move! He can't see you, if you don't move.” With covid to blame for three cancelled national tours, the jittery excitement emanating from the stage was palpable and with a debut album on the horizon, Merpire has a lot to be excited about.
Following a brief intermission, Polish Club erupted into an infectious set beginning with their latest single ‘Stop For a Minute’ — a sonically 80s track disguised as a pulsating earworm that condemns “our inconsistent acknowledgement” of abuses of power within the music industry. Without missing a beat the band smoothly transitioned into the hard and fast ‘Iguana’ before jetting into the rockabilly punk track ‘Beeping’ that had bandmates smiling across the stage at one another.
Joined on stage by bassist and Linkin Park enthusiast Dan Cunningham and keyboardist, tambourine shaker, and saxophone extraordinaire Kirsty Tickle, Novak, and JH delighted fans with songs including the groovy ‘Just Talking’ and a cover of Doja Cat’s ‘Say So’. Another highlight was ‘Don’t Fuck Me Over’— a song written to fill a swear word void in their catalogue that sounds like a 50s doo-wop tune.
If you only take one thing away from a Polish Club show it’s that these guys really love what they do. The second takeaway is that drummer JH might just be the Mark Ruffalo of the Aussie music scene in that he can’t keep his mouth shut to save his life and throughout the night preluded almost every song with a play-by-play of what we were about to see and hear.
Ending their first show of the night with their hit song ‘Clarity’, Polish Club continue to prove themselves as one of Australia’s most exciting live acts, and one can’t help but feel gracious seeing a stadium-worthy band in such an intimate venue.
Merpire
Polish Club
Slowly Slowly’s BEN Stewart - Crowbar Sydney
REVIEW BY: JADE GUIDA
I can’t write about Slowly Slowly without telling a version of events that somewhat overshares details of my life.
Why? Why do I need to tell you the whole story from the very beginning, leaving no detail out? I just have to - I need you to understand exactly how happy I was last night, listening to Ben Stewart at the Crowbar in Sydney. I hope that everyone experiences such profound joy in an activity, and that in reading this, you can begin to understand how happy I am in this moment, even though the journey here was imperfect. I have spent the last 6 months reflecting on life and trying to find happiness in imperfect situations and appreciate what I have right in front of me, the tangible and intangible.
Last night, was the greatest imperfect experience I can imagine having.
So I guess I’ll start by taking you back to the year Slowly Slowly played at Good Things Festival. I can’t even tell you what year. I hadn’t heard of them and I didn’t really intend on watching them play but the friend I went with assured me that it was the best thing I would watch all day. I stood at the back of the mosh as they played what I now know to be ‘Creature of Habit Pt2’ and I remember thinking, ‘Fuck. That is cool, so quick and punchy.’ At some point, the band got ready to play ‘JellyFish’ and the guy in front of me (You know this guy if you have ever been to a festival; he had an obnoxious shirt that smelled like 3 years of cigarettes and beer, a moustache - probably from the inner west but let’s not get into that) said ‘I fucking hate this song’. I think I remember it so well because its an incredible song. It’s fun and edgy on its surface but pick the song apart and it is actually a brilliant observation on life.
I think it was a few months before I got to see them again but let me tell you – there is not a person who spent any time with me in those months that did not listen to ‘Jellyfish’ on repeat. I played it for my tinder dates. I played it for my mum so many times she started to buy me Jellyfish everything. I still have glass figures, some art she picked up from a local artist. I fell in love with the world the song created. I saw them again at the Cambridge in Newy, with the friend I was with at the Festival. This man is one of my dearest friends and I felt nothing less than pure happiness that night.
Then I kept listening, journeyed through some of the other tracks. I found ‘Aliens’ which reminded me of one of my other dearest friends Hells and so I sent it to her. She became kind of obsessed with Aliens and fell in love with the song. Then we listened to more together and fell in love with track after track. She and I went to see ‘Trophy Eyes’ together and ‘Congrats’ was the opening act. She ran late - really late - and missed the whole set. Hells and I even made each other Slowly Slowly themed art during lockdown.
I listened to the St Leonards CD (Yes a CD) in my car for 6 months straight. I would rewind ‘The Butcher’s Window’ over and over to hear my favorite line until I felt like I had experienced the track in all its glory. Honestly, I kept that old car longer than I should have, just so I could keep playing the CD. My Favorite Melb Photographer (and one of the biggest legends I know) started to make Aus Album Receipts in lockdown – best believe I made him re crop them exactly to my phone screen so I could have them as my background. It is just a lot of little things – small memories with big feelings. This band is embedded in to some of my best memories and my favorite people.
My Alien obsessed friend and I bought tickets to the RCB Tour prior to its reschedule and honestly, the whole year of Covid, I mourned the loss of that show. When I saw Ben was going to tour Solo, I knew that we had to go. I bought tickets. Then come the continual streams of reschedules. Mostly it was frustrating. I had a string of weddings in Feb and was worried I was going to have to awkwardly explain to my cousin that a stranger from Melbourne singing for an hour was more important to me than her lifelong commitment to her now husband.
I have to say, I desperately wanted to take photos at this show – I think I sent my publication 100 emails. Every time the event was rescheduled. This is where the imperfection started. Even as last night finally rolled around, I still had no concrete confirmation I could shoot. I get a text from Hells (my Alien obsessed Slowly Slowly partner in crime) that she was unwell and couldn’t attend. It was a devastating blow – we had been waiting so long and my heart broke that we wouldn’t share this night with each other. She had already missed the Congrats set at the last gig. It felt like some weird message from the universe.
I was scrambling. I asked my friend who introduced me to Slowly Slowly if he was free but he had to pick up a couch! Of all the days to be a functional adult. I asked three other people but everyone was busy. I put my mum on standby that she may have to go with me. I only had one other person I would ask. It was important to share this experience with someone I really liked. It couldn’t just be anyone. I figured this person was a hard no. We work together, we are good friends but have almost nothing in common. Very cautiously, I throw the idea to her. I didn’t want to spook her. We have never been to a gig before and our outside-of-work activities together have been limited. To my surprise, she said yes. Before we went, I set some ground rules. I told her this was my happy space and she was about to witness the happiest and most enthusiastic version of me that she would ever see (possibly complete with singing, dancing, screaming and tears), but on one condition – we would never mention to the people at work that I was even capable of being so joyous. I have a terrifying reputation to hold.
I get to the venue and almost as soon as I buy a drink, I get a message from my publication that I was approved to shoot. I live an hour away. I have no gear. I can’t go back. I felt a small tinge of sadness and tried to put it aside. I go to enter the band room and as the Security guy check our IDs, he recognises me from previous gigs and shoots. He asks why I am not wearing black tonight (pit rules for gig photography) and there is that pang of sadness again.
I go to scan my ticket and I know the beautiful woman working at the door. She says I am on the list and again, more sadness. I explain that I didn’t get approved in time so have no gear. At this point, I feel overwhelmingly guilty. I felt like I let our publication down, Ben down, myself down. Maybe I should have just brought the gear. I try to just shelve it… I think most photographers experience this internal struggle at some point – do I want to shoot or do I want to watch? Sometimes I feel guilty if I miss the opportunity to shoot my favorite bands.
My friend and I stand up the front for the first opener, Songs By Florida Man. I am sure you can guess the concept. If you haven’t already, definitely google ‘Florida Man’ followed by your birthday and start reading up some of the headlines. I really loved this. It was comical and yet bizarrely touching. He brought candy for the audience as well and I am susceptible to snacks. Some If the sadness starts to fade as I listen to a song about Florida Man kidnapping a scientist to make his dog immortal.
Next was Lili Crane and I am already a huge fan of this Newcastle based song writer. I loved her music, I loved her whole presence. I think one song was called ‘Gemini’ and I can relate. These are both people worth checking out. Phenomenal musicians and just clever song writing.
So then, Ben Stewart. He walks out from behind the side door in his brown two-piece suit and cowboy tie, both ears pierced and his hair silky and smoothed back in to a bun. It is a weird thing, to idolize someone so greatly and then have them walk out like that and completely meet your almost unrealistic expectation of them being some sort of higher being. I was recently talking with a friend about how strange it is to idolize musicians when that person is essentially a fellow human being and a stranger. I find it weird that people think when they connect with music, they somehow connect with the musician. This is something I have never felt. My favourite musicians are perfectly placed on pedestals. I have John Floreani, Ben Stewart and Hozier perched in this impossibly high place. Untouchable. Their music speaks to me in such a profound way, I won’t even consider the humanity of them. I even go so far as to actively avoid meeting them. I know it seems strange but for me, their music speaks so profoundly to me that I want to keep it safe. I don’t want to unravel the complexity of these musicians or know them as people – I want to connect with the sheer genius of their creation and have it exist in its own little space.
I can’t tell you the order the songs were played in, or the intricate details of the night. I can tell you that Ben Stewart stood on stage and perfectly upheld the space of his whole band. He honors them and their sound. He seems to understand that even alone on stage, he is presenting something that is a part of something larger than himself. Between songs, Ben is funny and light and yet somehow manages to remain an enigmatic figure. He gives dedications of songs, has a bit of banter with the crowd, politely asks an enthusiastic heckler to stop calling him ‘dad’ and muses of a cockroach invasion on stage. Ben gives so much but you can also see he holds so much close. Watching him performing Slowly Slowly music solo is truly an experience.
The set is beautifully curated. It dips and lifts in all the right places. This for many was their first standing gig since Covid and the atmosphere was electric. I wish I could tell you which songs were crowd favourites but most fans are loyal to the core and everyone seemed to know every song. It was great to see some of the older songs ‘PMTWGR’, ‘Chamomile’ and ‘New York, Paris’ because I wasn’t sure I would every see them live. ‘JellyFish’ and ‘Smile Lines’ seemed to go down very well with the crowd as well.
When I left, I wanted to buy my friend Hells a shirt to commiserate her being unable to attend. We try buy merch where we can to support bands. This probably seems like a trivial fact to most people but if knew my friend Hells, you would understand what this kind of gesture means to her and I could never really express what she means to me as a friend and I was sorry to go without her.
As we leave, I chat with the friend that came with me and she tells me it was her FIRST EVER LIVE GIG. I am so happy! I love sharing first time experiences with people. I did a photography project on it last year. There is something magical about doing something for the first time.
So this is where I am at with the intricate web that Slowly Slowly has weaved in to my life, entwined with all of my favorite things. This show in particular was fraught with so many obstacles but still managed to bring me an immeasurable amount of happiness. The devil is in the details and it felt like every little thing lined up exactly as it was meant to, drawing the pieces of my life together like bookends, in a single night. Slowly Slowly and this gig really cemented all of the good in my life and remind me that even things that aren’t perfect still have the potential to radiate bliss.
Moaning Lisa with Dead Witch - Vic On The Park - 10th April 2021
REVIEW & PHOTOS BY: EMERALD VIOLET
Saturday night at Vic On The Park saw a free show from Moaning Lisa with Dead Witch as support. The turn out for this show was absolutely insane - a sea of people in the crowd patiently waiting for the bands to start. Moaning Lisa haven’t played a Sydney show in quite a while and you could tell that was a lot of excitement in the room to see them play.
Dead Witch
When Dead Witch got on stage the crowd came closer to the stage and as soon as the band started playing the first song, everyone instantly started dancing. As they continued to play, the people in the front were dancing hard and throwing great energy back at the band. There were a lot of smiles exchanged between band members as you could tell they were really enjoying themselves and passionate about their music. They did an amazing job to warm up the crowd for Moaning Lisa and you should definitely keep an eye out for them as I see nothing but big things for them with their psych rock sound and forceful energy.
Moaning Lisa
Moaning Lisa are fucking amazing. They took to the stage and owned it hard playing through each song with such passion and force. It has been such a long long time since I have seen that kind of energy and good vibes in a room, everyone was dancing around and having a great time without a care in the world.
The four piece have great songs that are so addictive, they will be stuck in your head for days at a time, even as i’m writing this I’m singing along in my head. I would describe some of their music as grungy and it really reminds me of the band Veruca Salt which I love and adore. It just shows you that they have a lot of talent and showcase that through their incredible passion and energy on stage. Moaning Lisa are a incredible band and i cannot say that enough - they put on a fantastic show and are just beautiful people.
Moaning Lisa
Two great bands put on one hell of a night for the packed pub throwing their incredible energy out and the crowd feeding off it and having a great time. If I could go back in time and go to that show again, I would do it because nothing matched the vibes and the energy of the night.
Dead Witch
Moaning Lisa
Doonie Way latest release ‘Nowhere To Run’ dropping 15th of April!
Coming from the heart of Gippsland, Victoria. Doonie Way are an engaging, fun-loving four-piece creating Alternative / Indie Rock music.
Members Bryce Robinson (pipes), Blaike Murphy (skins), Aidan Wyatt (licks) and D'Arcy Connaughton (slaps) have all grown up with each other, linking their combined love for surfy, indie rock music to share the writing process, producing fun, infectious tunes.
No strangers to the live music scene, Doonie Way have shared the stage across Victoria with a number of renowned Australian acts such as The Smith Street Band, The Bennies and Young Lions, as well as supporting Hands Like Houses on the Melbourne leg of their 2019 Australian tour.
Nowhere To Run drops in TWO days save it to your watch list! The track is incredibly epic:
2019 saw the release of 'Pavement', a hard-hitting, chaotic ballad that has been described as an Aussie song of Basement (UK). In 2020, the band followed up with 'Stumblin', which explores struggles with relationships while having a catchy, unforgettable chorus that proves to be a favourite crowd singalong at live shows.
The departure of a previous vocalist saw Bryce jumping on vocals and the recruitment of Aidan on lead guitar to create a new sound. This came to the birth of their latest single, Nowhere To Run, releasing April 16th. It is the perfect blend of Alternative rock that you can jam out to while also flirting with flavours of Indie rock which translates to an ideal track you would find yourself listening to on a sunny day road trip with your mates.
FOLLOW DOONIE WAY:
Instagram: https://www.instagram.com/dooniewaytheband
Facebook: https://m.facebook.com/dooniewaytheband/
Bandcamp: https://doonieway.bandcamp.com
Triple J Unearthed:https://www.triplejunearthed.com/artist/doonie-way
Twitter: https://twitter.com/doonieway